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At Rensselaer: August 1987
Sequence 35
‘ Rensselaer's newest landmark, the George M. Low Center for Industrial Innovation.
Sequence 36
® Rensselaer Polytechnic Institute . Troy, N. Y. 12180-3590 ~ A eo. _._ a Y ~\.~::~ _ ~. ar ~ october 18, 1967 .…
At Rensselaer: December 1981
Sequence 1
DECEMBER 1981 The Mentor Connection: Hunt~n!Diwan andMcUtrthy
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Blue Mountain. Artist Ralph Mayer ' 17 painted thi Pennsylvania scene in the 1950s. This and other photograph of Mayer…
Sequence 3
VOLUME 81, NO.4 tafT of at Rensselaer Editor of Publications : Robert M. Whitaker Associate Editor for at Rensselaer: Megan…
Sequence 4
1LEI'I'ERSI A Challenge to Computer Music Editor: With a great bit of intere t, I read the tory in RPI in the ews…
Sequence 5
Fast Track RPl's board members could be expected to be tough. Their job was to look at the proposal from every angle.…
Sequence 6
"The Rensselaer Technology Center is one move we are making with an eye toward RPI' long range tability and…
Sequence 7
board of tru tee meeting in the fall of '79: one ought $50 ,000 to enable an engineering con ulting firm , C.T. Male…
Sequence 8
Mentors at RPI Three professors with different styles illustrate how they make mentorship work. By Megan E. Stebbins D…
Sequence 9
melted immediately. His warmth ha pread over everal generation of RPI graduates. He recall hi tudent affectionately .…
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ment, Huntington has had more time for his artwork. But he visits the physics department almost daily to oversee the six…
Sequence 11
by Robert Kanigel Photography by William Deniso n H e was a witty, charming, su- perbl y groomed a nd dressed ma n with…
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cotton swabs , when he heard about it. A product of New York City' s Lower East Side, Axelrod had earned a bache- lor…
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alway a king que tion , the more fun- damental the better. How he empha ized that when it came to crucial experiment , ..…
Sequence 14
IV DECEMBER 1981
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"Imaginative, original, productive work" is what Nobel winner Julius Axelrod expected of the post, doctoral…
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For Candace Pert, a grey science exploded with sparks of orange, green and gold. That's h ow her students would on e…
Sequence 17
Snyder, S. H . and Axelrod , J.: Inhi b- ition of hi stamine methylation in vivo by drugs. Biochemical Pharmacology. Axelrod…
Sequence 18
that's nice,' or 'Oh, that's wonderful,' as Julie would have done with me ." And Axelrod,…
Sequence 19
MAKING "A mobile ." mu sed Jean Paul Sa rtre in a lighthearted 1946 e ay, "i a little private celebration .…
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It helps to sketch out a rough plan , like these. Do you want your mobile to spread horizontally, or droop? What pendants…
Sequence 21
entirely po ible to put large (heavy) sha pes at the bottom, too . Whatever will balance , and whatever your aesthetic sense…
Sequence 22
Mobile with Hat s, 1951 . Alexander Calder. Painted wire . 4(1' 11'. From th e collection of Mrs. l oan Prats.…
Sequence 23
up bright coffee cans into good ha pe. But th e ea ie t way to ma ke fl a t hape i wi th ca rdboard. I cis ored my pe nda nt…
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